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Saturday, May 12, 2001

Cliff’s notes lasting legacy to all students
By Bill Whitaker
Reporter-News Staff Writer

Cliff Hillegass’ death last weekend may have gone unnoticed by millions of high school and college students, but most have had at least one occasion to read his works.

Whether they gained scholarly edification from his contributions or merely a passing grade is another matter.

Sooner or later, though, most budding scholars consult Hillegass’ creation — Cliffs Notes, succinct, readily analytical, boiled-down versions of everything from Shakespeare’s A Midsummer Night’s Dream to Melville’s Moby Dick to Hemingway’s A Farewell to Arms.

Although summaries of great novels have become commonplace on the Internet in recent years — and for free — students still find occasions to avail themselves of Cliffs Notes. On occasion, even teachers use them.

“We had to read Great Expectations in school and it’s pretty boring,” said 15-year-old Abilene High student Bobby Greer, referring to the intricately plotted Charles Dickens classic. “Our teacher described it as slightly less boring than the King James version of the Bible.

“So I used the Cliffs Notes. In fact, our teacher used it for a breakdown he did of what was going on in the novel.”

Such has always been the charm of Cliffs Notes — cutting through artful prose, rambling descriptions and convoluted plots to render a novel to its bare-bone basics. But few have paused to wonder just who “Cliff” was — or if one even existed.

Exist he did. Hillegass, who died at age 83 last Saturday at his home in Lincoln, Neb., founded Cliffs Notes in 1958, writing the first study guides in the basement of his home. His premiere guide tackled Shakespeare’s Hamlet, whittling the Bard’s brilliance down to size.

“I’ve probably used them for every English paper I’ve ever done,” admitted 21-year-old Abilene Christian University student Sara Kerens.

“They’re short and to the point and I don’t have to read a 500-page novel to find out what it’s about.”

That said, Kerens acknowledges students are finding other ways of mastering great literary works, including checking out movie versions: “But you have to be careful and check out the Cliffs Notes, too, because in the movies a lot of the endings are changed.”

Although teachers don’t necessarily condemn such tools as Cliffs Notes out of hand, they also emphasize the importance of the original novels and plays, if only because of the nuances in character, setting and irony.

“Our motto is it’s a great supplement, but not a substitute,” said Verne Popelka, head of Cooper High School’s English Department.

Popelka suggests Cliffs Notes have taken something of a hit in popularity, precisely because of numerous Internet summaries and popular film versions of literary works. She recalls some students basing papers on a popular film version of Nathaniel Hawthorne’s The Scarlet Letter.

The students’ primary source for their theses quickly became apparent, she said, “because in the movie Hester and Dimmesdale ride off into the sunset and he doesn’t die, and I had a lot of kids who really messed up on that one.”

Jason Mida, 20, ACU’s student body president, suspects that while students may use Cliffs Notes plenty in high school, usage drops significantly once they reach college.

“I used them in high school a lot,” said Mida, planning a career in law. “Wuthering Heights, Jane Eyre — really anything by the Bronte sisters. And Heart of Darkness. Of course, I knew they missed something when it got down to important things like characterization.

“But don’t get me wrong — they got me through the Bronte sisters.”

Contact story editor Bill Whitaker at 676-6732 or whitakerb@abinews.com.

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